This post's purpose is to collect my common tags in one place, so readers (and I!) can easily access entries on several subjects.
To Any Dead Officer
Well, how are things in Heaven? I wish you'd say,
Because I'd like to know that you're all right.
Tell me, have you found everlasting day,
Or been sucked in by everlasting night?
For when I shut my eyes your face shows plain;
I hear you make some cheery old remark--
I can rebuild you in my brain,
Though you've gone out patrolling in the dark.
You hated tours of trenches; you were proud
Of nothing more than having good years to spend;
Longed to get home and join the careless crowd
Of chaps who work in peace with Time for friend.
That's all washed out now. You're beyond the wire:
No earthly chance can send you crawling back;
You've finished with machine-gun fire--
Knocked over in a hopeless dud-attack.
Somehow I always thought you'd get done in,
Because you were so desperate keen to live:
You were all out to try and save your skin,
Well knowing how much the world had got to give.
You joked at shells and talked the usual 'shop,'
Stuck to your dirty job and did it fine:
With 'Jesus Christ! when will it stop?
Three years ... It's hell unless we break their line.'
So when they told me you'd been left for dead
I wouldn't believe them, feeling it must be true.
Next week the bloody Roll of Honour said
'Wounded and missing'--(That's the thing to do
When lads are left in shell-holes dying slow,
With nothing but blank sky and wounds that ache,
Moaning for water till they know
It's night, and then it's not worth while to wake!)
. . . .
Good-bye, old lad! Remember me to God,
And tell Him that our Politicians swear
They won't give in till Prussian Rule's been trod
Under the Heel of England ... Are you there?...
Yes ... and the War won't end for at least two years;
But we've got stacks of men ... I'm blind with tears,
Staring into the dark. Cheero!
I wish they'd killed you in a decent show.
--Siegfried Sassoon, Counter-Attack and Other Poems, 1918
Well, how are things in Heaven? I wish you'd say,
Because I'd like to know that you're all right.
Tell me, have you found everlasting day,
Or been sucked in by everlasting night?
For when I shut my eyes your face shows plain;
I hear you make some cheery old remark--
I can rebuild you in my brain,
Though you've gone out patrolling in the dark.
You hated tours of trenches; you were proud
Of nothing more than having good years to spend;
Longed to get home and join the careless crowd
Of chaps who work in peace with Time for friend.
That's all washed out now. You're beyond the wire:
No earthly chance can send you crawling back;
You've finished with machine-gun fire--
Knocked over in a hopeless dud-attack.
Somehow I always thought you'd get done in,
Because you were so desperate keen to live:
You were all out to try and save your skin,
Well knowing how much the world had got to give.
You joked at shells and talked the usual 'shop,'
Stuck to your dirty job and did it fine:
With 'Jesus Christ! when will it stop?
Three years ... It's hell unless we break their line.'
So when they told me you'd been left for dead
I wouldn't believe them, feeling it must be true.
Next week the bloody Roll of Honour said
'Wounded and missing'--(That's the thing to do
When lads are left in shell-holes dying slow,
With nothing but blank sky and wounds that ache,
Moaning for water till they know
It's night, and then it's not worth while to wake!)
. . . .
Good-bye, old lad! Remember me to God,
And tell Him that our Politicians swear
They won't give in till Prussian Rule's been trod
Under the Heel of England ... Are you there?...
Yes ... and the War won't end for at least two years;
But we've got stacks of men ... I'm blind with tears,
Staring into the dark. Cheero!
I wish they'd killed you in a decent show.
--Siegfried Sassoon, Counter-Attack and Other Poems, 1918
Premature Rejoicing
What's that over there?
Thiepval Wood.
Take a steady look at it; it'll do you good.
Here, these glasses will help you. See any flowers?
There sleeps Titania (correct - the Wood is ours);
There sleeps Titania in a deep dugout,
Waking, she wonders what all the din's about,
And smiles through her tears, and looks ahead ten years,
And sees the Wood again, and her usual Grenadiers,
All in green,
Music in the moon;
The burnt rubbish you've just seen
Won't beat the Fairy Queen;
All the same, it's a shade too soon
For you to scribble rhymes
In your army book
About those times;
Take another look;
That's where the difficulty is, over there.
--Edmund Blunden
What's that over there?
Thiepval Wood.
Take a steady look at it; it'll do you good.
Here, these glasses will help you. See any flowers?
There sleeps Titania (correct - the Wood is ours);
There sleeps Titania in a deep dugout,
Waking, she wonders what all the din's about,
And smiles through her tears, and looks ahead ten years,
And sees the Wood again, and her usual Grenadiers,
All in green,
Music in the moon;
The burnt rubbish you've just seen
Won't beat the Fairy Queen;
All the same, it's a shade too soon
For you to scribble rhymes
In your army book
About those times;
Take another look;
That's where the difficulty is, over there.
--Edmund Blunden
Prelude: The Troops
Dim, gradual thinning of the shapeless gloom
Shudders to drizzling daybreak that reveals
Disconsolate men who stamp their sodden boots
And turn dulled, sunken faces to the sky
Haggard and hopeless. They, who have beaten down
The stale despair of night, must now renew
Their desolation in the truce of dawn,
Murdering the livid hours that grope for peace.
Yet these, who cling to life with stubborn hands,
Can grin through storms of death and find a gap
In the clawed, cruel tangles of his defence.
They march from safety, and the bird-sung joy
Of grass-green thickets, to the land where all
Is ruin, and nothing blossoms but the sky
That hastens over them where they endure
Sad, smoking, flat horizons, reeking woods,
And foundered trench-lines volleying doom for doom.
O my brave brown companions, when your souls
Flock silently away, and the eyeless dead
Shame the wild beast of battle on the ridge,
Death will stand grieving in that field of war
Since your unvanquished hardihood is spent.
And through some mooned Valhalla there will pass
Battalions and battalions, scarred from hell;
The unreturning army that was youth;
The legions who have suffered and are dust.
--Siegfried Sassoon
Dim, gradual thinning of the shapeless gloom
Shudders to drizzling daybreak that reveals
Disconsolate men who stamp their sodden boots
And turn dulled, sunken faces to the sky
Haggard and hopeless. They, who have beaten down
The stale despair of night, must now renew
Their desolation in the truce of dawn,
Murdering the livid hours that grope for peace.
Yet these, who cling to life with stubborn hands,
Can grin through storms of death and find a gap
In the clawed, cruel tangles of his defence.
They march from safety, and the bird-sung joy
Of grass-green thickets, to the land where all
Is ruin, and nothing blossoms but the sky
That hastens over them where they endure
Sad, smoking, flat horizons, reeking woods,
And foundered trench-lines volleying doom for doom.
O my brave brown companions, when your souls
Flock silently away, and the eyeless dead
Shame the wild beast of battle on the ridge,
Death will stand grieving in that field of war
Since your unvanquished hardihood is spent.
And through some mooned Valhalla there will pass
Battalions and battalions, scarred from hell;
The unreturning army that was youth;
The legions who have suffered and are dust.
--Siegfried Sassoon
The Rear-Guard
Groping along the tunnel, step by step,
He winked his prying torch with patching glare
From side to side, and sniffed the unwholesome air.
Tins, boxes, bottles, shapes too vague to know,
A mirror smashed, the mattress from a bed;
And he, exploring fifty feet below
The rosy gloom of battle overhead.
Tripping, he grabbed the wall; saw someone lie
Humped at his feet, half-hidden by a rug,
And stooped to give the sleeper's arm a tug.
"I'm looking for headquarters." No reply.
"God blast your neck!" (For days he'd had no sleep.)
"Get up and guide me through this stinking place."
Savage, he kicked a soft, unanswering heap,
And flashed his beam across the livid face
Terribly glaring up, whose eyes yet wore
Agony dying hard ten days before;
And fists of fingers clutched a blackening wound.
Alone he staggered on until he found
Dawn's ghost that filtered down a shafted stair
To the dazed, muttering creatures underground
Who hear the boom of shells in muffled sound.
At last, with sweat of horror in his hair,
He climbed through darkness to the twilight air,
Unloading hell behind him step by step.
--Siegfried Sassoon
Groping along the tunnel, step by step,
He winked his prying torch with patching glare
From side to side, and sniffed the unwholesome air.
Tins, boxes, bottles, shapes too vague to know,
A mirror smashed, the mattress from a bed;
And he, exploring fifty feet below
The rosy gloom of battle overhead.
Tripping, he grabbed the wall; saw someone lie
Humped at his feet, half-hidden by a rug,
And stooped to give the sleeper's arm a tug.
"I'm looking for headquarters." No reply.
"God blast your neck!" (For days he'd had no sleep.)
"Get up and guide me through this stinking place."
Savage, he kicked a soft, unanswering heap,
And flashed his beam across the livid face
Terribly glaring up, whose eyes yet wore
Agony dying hard ten days before;
And fists of fingers clutched a blackening wound.
Alone he staggered on until he found
Dawn's ghost that filtered down a shafted stair
To the dazed, muttering creatures underground
Who hear the boom of shells in muffled sound.
At last, with sweat of horror in his hair,
He climbed through darkness to the twilight air,
Unloading hell behind him step by step.
--Siegfried Sassoon
A Letter Home
1
Here I'm sitting in the gloom
Of my quiet attic room.
France goes rolling all around,
Fledged with forest May has crowned.
And I puff my pipe, calm-hearted,
Thinking how the fighting started,
Wondering when we'll ever end it,
Back to Hell with Kaiser send it,
Gag the noise, pack up and go,
Clockwork soldiers in a row.
I've got better things to do
Than to waste my time on you.
( Cut for length. )
1
Here I'm sitting in the gloom
Of my quiet attic room.
France goes rolling all around,
Fledged with forest May has crowned.
And I puff my pipe, calm-hearted,
Thinking how the fighting started,
Wondering when we'll ever end it,
Back to Hell with Kaiser send it,
Gag the noise, pack up and go,
Clockwork soldiers in a row.
I've got better things to do
Than to waste my time on you.
( Cut for length. )
The Dragon and the Undying
All night the flares go up; the Dragon sings
And beats upon the dark with furious wings;
And, stung to rage by his own darting fires,
Reaches with grappling coils from town to town;
He lusts to break the loveliness of spires,
And hurls their martyred music toppling down.
Yet, though the slain are homeless as the breeze,
Vocal are they, like storm-bewilder’d seas.
Their faces are the fair, unshrouded night,
And planets are their eyes, their ageless dreams.
Tenderly stooping earthward from their height,
They wander in the dusk with chanting streams,
And they are dawn-lit trees, with arms up-flung,
To hail the burning heavens they left unsung.
--Siegfried Sassoon
Happy Armistice Day.
All night the flares go up; the Dragon sings
And beats upon the dark with furious wings;
And, stung to rage by his own darting fires,
Reaches with grappling coils from town to town;
He lusts to break the loveliness of spires,
And hurls their martyred music toppling down.
Yet, though the slain are homeless as the breeze,
Vocal are they, like storm-bewilder’d seas.
Their faces are the fair, unshrouded night,
And planets are their eyes, their ageless dreams.
Tenderly stooping earthward from their height,
They wander in the dusk with chanting streams,
And they are dawn-lit trees, with arms up-flung,
To hail the burning heavens they left unsung.
--Siegfried Sassoon
Happy Armistice Day.
Reconciliation
When you are standing at your hero's grave,
Or near some homeless village where he died,
Remember, through your heart's rekindling pride,
The German soldiers who were loyal and brave.
Men fought like brutes; and hideous things were done;
And you have nourished hatred, harsh and blind.
But in that Golgotha perhaps you'll find
The mothers of the men who killed your son.
--Siegfried Sassoon
November 1918
When you are standing at your hero's grave,
Or near some homeless village where he died,
Remember, through your heart's rekindling pride,
The German soldiers who were loyal and brave.
Men fought like brutes; and hideous things were done;
And you have nourished hatred, harsh and blind.
But in that Golgotha perhaps you'll find
The mothers of the men who killed your son.
--Siegfried Sassoon
November 1918
Slumber-Song
Sleep; and my song shall build about your bed
A paradise of dimness. You shall feel
The folding of tired wings; and peace will dwell
Throned in your silence: and one hour shall hold
Summer, and midnight, and immensity
Lulled to forgetfulness. For, where you dream,
The stately gloom of foliage shall embower
Your slumbering thought with tapestries of blue.
And there shall be no memory of the sky,
Nor sunlight with its cruelty of swords.
But, to your soul that sinks from deep to deep
Through drowned and glimmering colour, Time shall be
Only slow rhythmic swaying; and your breath;
And roses in the darkness; and my love.
--Siegfried Sassoon
Sleep; and my song shall build about your bed
A paradise of dimness. You shall feel
The folding of tired wings; and peace will dwell
Throned in your silence: and one hour shall hold
Summer, and midnight, and immensity
Lulled to forgetfulness. For, where you dream,
The stately gloom of foliage shall embower
Your slumbering thought with tapestries of blue.
And there shall be no memory of the sky,
Nor sunlight with its cruelty of swords.
But, to your soul that sinks from deep to deep
Through drowned and glimmering colour, Time shall be
Only slow rhythmic swaying; and your breath;
And roses in the darkness; and my love.
--Siegfried Sassoon
Secret Music
I keep such music in my brain
No din this side of death can quell;
Glory exulting over pain,
And beauty, garlanded in hell.
My dreaming spirit will not heed
The roar of guns that would destroy
My life that on the gloom can read
Proud-surging melodies of joy.
To the world's end I went, and found
Death in his carnival of glare;
But in my torment I was crowned,
And music dawned above despair.
--Siegfried Sassoon, The Old Huntsman and other poems
I keep such music in my brain
No din this side of death can quell;
Glory exulting over pain,
And beauty, garlanded in hell.
My dreaming spirit will not heed
The roar of guns that would destroy
My life that on the gloom can read
Proud-surging melodies of joy.
To the world's end I went, and found
Death in his carnival of glare;
But in my torment I was crowned,
And music dawned above despair.
--Siegfried Sassoon, The Old Huntsman and other poems
To R- at Anzac
You left your vineyards, dreaming of the vines in a dream land
And dim Italian cities where high cathedrals stand.
At Anzac in the evening, so many things we planned,
And now you sleep with comrades in the Anafarta sand.
There are men go gay to battle like the cavaliers to dance,
And some with happy dreamings like princes in romance,
And some men march unquestioning to where the answer lies,
The dawn that comes like darkness they meet with lover's eyes.
You heard the bugles call to arms, and like a storm men's cheers,
But veiled behind that music, you knew the women's tears.
You heard the Vikings singing in a rapture to the sea,
And passing clear beyond that song, the waves of Galilee.
You lived for peace and lived for war, you knew no little strife;
To conquer first, then help your foe, made music of your life.
And for the sake of those you led, you gave your life away,
As youth might fling a coin of gold upon a sunny day.
If Odin mustered Vikings, you would rule his pagan crew.
If Mary came to choose her knights, she'd hand her sword to you.
Men scattered in the wilderness, or crowded in the street,
Would choose you for their leader and glory in defeat.
You'd find a bridge to Lazarus, or any man in pain.
There are not many like you that I shall see again;
I do not grieve for you who laughed, and went into the shade,
I sorrow for the dream that's lost, Italian plans we made.
Good-bye! It's Armageddon. You will not prune your vine,
Nor taste the salt of channel winds, nor hear the singing Rhine.
You'll sleep with friends and enemies until the trumpet sounds,
And open are the thrones of kings, and all the Trojan mounds.
When women's tears are rainbows then, that shine across the sky,
And swords are raised in last salute, to a comrade enemy,
And what men fought and failed for, or what men strove and won,
Are like forgotten shadows, and clouds that hid the sun.
--Aubrey Herbert
You left your vineyards, dreaming of the vines in a dream land
And dim Italian cities where high cathedrals stand.
At Anzac in the evening, so many things we planned,
And now you sleep with comrades in the Anafarta sand.
There are men go gay to battle like the cavaliers to dance,
And some with happy dreamings like princes in romance,
And some men march unquestioning to where the answer lies,
The dawn that comes like darkness they meet with lover's eyes.
You heard the bugles call to arms, and like a storm men's cheers,
But veiled behind that music, you knew the women's tears.
You heard the Vikings singing in a rapture to the sea,
And passing clear beyond that song, the waves of Galilee.
You lived for peace and lived for war, you knew no little strife;
To conquer first, then help your foe, made music of your life.
And for the sake of those you led, you gave your life away,
As youth might fling a coin of gold upon a sunny day.
If Odin mustered Vikings, you would rule his pagan crew.
If Mary came to choose her knights, she'd hand her sword to you.
Men scattered in the wilderness, or crowded in the street,
Would choose you for their leader and glory in defeat.
You'd find a bridge to Lazarus, or any man in pain.
There are not many like you that I shall see again;
I do not grieve for you who laughed, and went into the shade,
I sorrow for the dream that's lost, Italian plans we made.
Good-bye! It's Armageddon. You will not prune your vine,
Nor taste the salt of channel winds, nor hear the singing Rhine.
You'll sleep with friends and enemies until the trumpet sounds,
And open are the thrones of kings, and all the Trojan mounds.
When women's tears are rainbows then, that shine across the sky,
And swords are raised in last salute, to a comrade enemy,
And what men fought and failed for, or what men strove and won,
Are like forgotten shadows, and clouds that hid the sun.
--Aubrey Herbert
The Rainbow
Watch the white dawn gleam,
To the thunder of hidden guns.
I hear the hot shells scream
Through skies as sweet as a dream
Where the silver dawn-break runs.
And stabbing of light
Scorches the virginal white.
But I feel in my being the old, high, sanctified thrill,
And I thank the gods that the dawn is beautiful still.
From death that hurtles by
I crouch in the trench day-long,
But up to a cloudless sky
From the ground where our dead men lie
A brown lark soars in song.
Through the tortured air,
Rent by the shrapnel's flare,
Over the troubleless dead he carols his fill,
And I thank the gods that the birds are beautiful still.
Where the parapet is low
And level with the eye
Poppies and cornflowers glow
And the corn sways to and fro
In a pattern against the sky.
The gold stalks hide
Bodies of men who died
Charging at dawn through the dew to be killed or to kill.
I thank the gods that the flowers are beautiful still.
When night falls dark we creep
In silence to our dead.
We dig a few feet deep
And leave them there to sleep--
But blood at night is red,
Yea, even at night,
And a dead man's face is white.
And I dry my hands, that are also trained to kill,
And I look at the stars--for the stars are beautiful still.
--Leslie Coulson
Watch the white dawn gleam,
To the thunder of hidden guns.
I hear the hot shells scream
Through skies as sweet as a dream
Where the silver dawn-break runs.
And stabbing of light
Scorches the virginal white.
But I feel in my being the old, high, sanctified thrill,
And I thank the gods that the dawn is beautiful still.
From death that hurtles by
I crouch in the trench day-long,
But up to a cloudless sky
From the ground where our dead men lie
A brown lark soars in song.
Through the tortured air,
Rent by the shrapnel's flare,
Over the troubleless dead he carols his fill,
And I thank the gods that the birds are beautiful still.
Where the parapet is low
And level with the eye
Poppies and cornflowers glow
And the corn sways to and fro
In a pattern against the sky.
The gold stalks hide
Bodies of men who died
Charging at dawn through the dew to be killed or to kill.
I thank the gods that the flowers are beautiful still.
When night falls dark we creep
In silence to our dead.
We dig a few feet deep
And leave them there to sleep--
But blood at night is red,
Yea, even at night,
And a dead man's face is white.
And I dry my hands, that are also trained to kill,
And I look at the stars--for the stars are beautiful still.
--Leslie Coulson
Gone, Gone Again
Gone, gone again,
May, June, July,
And August gone,
Again gone by,
Not memorable
Save that I saw them go,
As past the empty quays
The rivers flow.
And now again,
In the harvest rain,
The Blenheim oranges
Fall grubby from the trees
As when I was young
And when the lost one was here
And when the war began
To turn young men to dung.
Look at the old house,
Outmoded, dignified,
Dark and untenanted,
With grass growing instead
Of the footsteps of life,
The friendliness, the strife;
In its beds have lain
Youth. love, age, and pain:
I am something like that;
Only I am not dead,
Still breathing and interested
In the house that is not dark:--
I am something like that:
Not one pane to reflect the sun,
For the schoolboys to throw at--
They have broken every one.
--Edward Thomas
Gone, gone again,
May, June, July,
And August gone,
Again gone by,
Not memorable
Save that I saw them go,
As past the empty quays
The rivers flow.
And now again,
In the harvest rain,
The Blenheim oranges
Fall grubby from the trees
As when I was young
And when the lost one was here
And when the war began
To turn young men to dung.
Look at the old house,
Outmoded, dignified,
Dark and untenanted,
With grass growing instead
Of the footsteps of life,
The friendliness, the strife;
In its beds have lain
Youth. love, age, and pain:
I am something like that;
Only I am not dead,
Still breathing and interested
In the house that is not dark:--
I am something like that:
Not one pane to reflect the sun,
For the schoolboys to throw at--
They have broken every one.
--Edward Thomas
Preparations For Victory
My soul, dread not the pestilence that hags
The valley; flinch not you, my body young.
At these great shouting smokes and snarling jags
Of fiery iron; as yet may not be flung
The dice that claims you. Manly move among
These ruins, and what you must do, do well;
Look, here are gardens, there mossed boughs are hung
With apples who bright cheeks none might excel,
And there's a house as yet unshattered by a shell.
"I'll do my best," the soul makes sad reply,
"And I will mark the yet unmurdered tree,
The tokens of dear homes that court the eye,
And yet I see them not as I would see.
Hovering between, a ghostly enemy.
Sickens the light, and poisoned, withered, wan,
The least defiled turns desperate to me."
The body, poor unpitied Caliban,
Parches and sweats and grunts to win the name of Man.
Days or eternities like swelling waves
Surge on, and still we drudge in this dark maze;
The bombs and coils and cans by strings of slaves
Are borne to serve the coming day of days;
Pale sleep in slimy cellars scarce allays
With its brief blank the burden. Look, we lose;
The sky is gone, the lightless, drenching haze
Of rainstorms chills the bone; earth, air are foes,
The black fiend leaps brick-red as life's last picture goes.
--Edmund Blunden, 1918
My soul, dread not the pestilence that hags
The valley; flinch not you, my body young.
At these great shouting smokes and snarling jags
Of fiery iron; as yet may not be flung
The dice that claims you. Manly move among
These ruins, and what you must do, do well;
Look, here are gardens, there mossed boughs are hung
With apples who bright cheeks none might excel,
And there's a house as yet unshattered by a shell.
"I'll do my best," the soul makes sad reply,
"And I will mark the yet unmurdered tree,
The tokens of dear homes that court the eye,
And yet I see them not as I would see.
Hovering between, a ghostly enemy.
Sickens the light, and poisoned, withered, wan,
The least defiled turns desperate to me."
The body, poor unpitied Caliban,
Parches and sweats and grunts to win the name of Man.
Days or eternities like swelling waves
Surge on, and still we drudge in this dark maze;
The bombs and coils and cans by strings of slaves
Are borne to serve the coming day of days;
Pale sleep in slimy cellars scarce allays
With its brief blank the burden. Look, we lose;
The sky is gone, the lightless, drenching haze
Of rainstorms chills the bone; earth, air are foes,
The black fiend leaps brick-red as life's last picture goes.
--Edmund Blunden, 1918
Rendezvous
I have a rendezvous with Death
At some disputed barricade,
I have a rendezvous with Death
At some disputed barricade,
When Spring comes back with rustling shade
And apple-blossoms fill the air--
I have a rendezvous with Death
When Spring brings back blue days and fair.
It may be he shall take my hand
And lead me into his dark land
And close my eyes and quench my breath--
It may be I shall pass him still.
I have a rendezvous with Death
On some scarred slope of battered hill,
When Spring comes round again this year
And the first meadow-flowers appear.
God knows 'twere better to be deep
Pillowed in silk and scented down,
Where love throbs out in blissful sleep,
Pulse nigh to pulse, and breath to breath,
Where hushed awakenings are dear . . .
But I've a rendezvous with Death
At midnight in some flaming town,
When Spring trips north again this year,
And I to my pledged word am true,
I shall not fail that rendezvous.
--Alan Seeger
I have a rendezvous with Death
At some disputed barricade,
I have a rendezvous with Death
At some disputed barricade,
When Spring comes back with rustling shade
And apple-blossoms fill the air--
I have a rendezvous with Death
When Spring brings back blue days and fair.
It may be he shall take my hand
And lead me into his dark land
And close my eyes and quench my breath--
It may be I shall pass him still.
I have a rendezvous with Death
On some scarred slope of battered hill,
When Spring comes round again this year
And the first meadow-flowers appear.
God knows 'twere better to be deep
Pillowed in silk and scented down,
Where love throbs out in blissful sleep,
Pulse nigh to pulse, and breath to breath,
Where hushed awakenings are dear . . .
But I've a rendezvous with Death
At midnight in some flaming town,
When Spring trips north again this year,
And I to my pledged word am true,
I shall not fail that rendezvous.
--Alan Seeger
Fight to a Finish
The boys came back. Bands played and flags were flying,
And Yellow-Pressmen thronged the sunlit street
To cheer the soldiers who'd refrained from dying,
And hear the music of returning feet.
'Of all the thrills and ardours War has brought,
This moment is the finest.' (So they thought.)
Snapping their bayonets on to charge the mob,
Grim Fusiliers broke ranks with glint of steel,
At last the boys had found a cushy job.
. . . .
I heard the Yellow-Pressmen grunt and squeal;
And with my trusty bombers turned and went
To clear those Junkers out of Parliament.
--Siegfried Sassoon
The boys came back. Bands played and flags were flying,
And Yellow-Pressmen thronged the sunlit street
To cheer the soldiers who'd refrained from dying,
And hear the music of returning feet.
'Of all the thrills and ardours War has brought,
This moment is the finest.' (So they thought.)
Snapping their bayonets on to charge the mob,
Grim Fusiliers broke ranks with glint of steel,
At last the boys had found a cushy job.
. . . .
I heard the Yellow-Pressmen grunt and squeal;
And with my trusty bombers turned and went
To clear those Junkers out of Parliament.
--Siegfried Sassoon
Banishment
I am banished from the patient men who fight
They smote my heart to pity, built my pride.
Shoulder to aching shoulder, side by side,
They trudged away from life's broad wealds of light.
Their wrongs were mine; and ever in my sight
They went arrayed in honour. But they died,--
Not one by one: and mutinous I cried
To those who sent them out into the night.
The darkness tells how vainly I have striven
To free them from the pit where they must dwell
In outcast gloom convulsed and jagged and riven
By grappling guns. Love drove me to rebel.
Love drives me back to grope with them through hell;
And in their tortured eyes I stand forgiven.
--Siegfried Sassoon
I am banished from the patient men who fight
They smote my heart to pity, built my pride.
Shoulder to aching shoulder, side by side,
They trudged away from life's broad wealds of light.
Their wrongs were mine; and ever in my sight
They went arrayed in honour. But they died,--
Not one by one: and mutinous I cried
To those who sent them out into the night.
The darkness tells how vainly I have striven
To free them from the pit where they must dwell
In outcast gloom convulsed and jagged and riven
By grappling guns. Love drove me to rebel.
Love drives me back to grope with them through hell;
And in their tortured eyes I stand forgiven.
--Siegfried Sassoon
Twelve Months After
Hullo! here's my platoon, the lot I had last year.
'The war'll be over soon.'
'What 'opes?'
'No bloody fear!'
Then, 'Number Seven, 'shun! All present and correct.'
They're standing in the sun, impassive and erect.
Young Gibson with his grin; and Morgan, tired and white;
Jordan, who's out to win a D.C.M. some night;
And Hughes that’s keen on wiring; and Davies ('79),
Who always must be firing at the Boche front line.
. . . .
'Old soldiers never die; they simply fide a-why!'
That's what they used to sing along the roads last spring;
That's what they used to say before the push began;
That's where they are to-day, knocked over to a man.
--Siegfried Sassoon
Hullo! here's my platoon, the lot I had last year.
'The war'll be over soon.'
'What 'opes?'
'No bloody fear!'
Then, 'Number Seven, 'shun! All present and correct.'
They're standing in the sun, impassive and erect.
Young Gibson with his grin; and Morgan, tired and white;
Jordan, who's out to win a D.C.M. some night;
And Hughes that’s keen on wiring; and Davies ('79),
Who always must be firing at the Boche front line.
. . . .
'Old soldiers never die; they simply fide a-why!'
That's what they used to sing along the roads last spring;
That's what they used to say before the push began;
That's where they are to-day, knocked over to a man.
--Siegfried Sassoon
The Effect
'The effect of our bombardment was terrific.
One man told me he had never seen so many dead before.'
--War Correspondent.
'He'd never seen so many dead before.'
They sprawled in yellow daylight while he swore
And gasped and lugged his everlasting load
Of bombs along what once had been a road.
'How peaceful are the dead.'
Who put that silly gag in some one's head?
'He'd never seen so many dead before.'
The lilting words danced up and down his brain,
While corpses jumped and capered in the rain.
No, no; he wouldn't count them any more...
The dead have done with pain:
They've choked; they can't come back to life again.
When Dick was killed last week he looked like that,
Flapping along the fire-step like a fish,
After the blazing crump had knocked him flat...
'How many dead? As many as ever you wish.
Don't count 'em; they're too many.
Who'll buy my nice fresh corpses, two a penny?'
--Siegfried Sassoon
'The effect of our bombardment was terrific.
One man told me he had never seen so many dead before.'
--War Correspondent.
'He'd never seen so many dead before.'
They sprawled in yellow daylight while he swore
And gasped and lugged his everlasting load
Of bombs along what once had been a road.
'How peaceful are the dead.'
Who put that silly gag in some one's head?
'He'd never seen so many dead before.'
The lilting words danced up and down his brain,
While corpses jumped and capered in the rain.
No, no; he wouldn't count them any more...
The dead have done with pain:
They've choked; they can't come back to life again.
When Dick was killed last week he looked like that,
Flapping along the fire-step like a fish,
After the blazing crump had knocked him flat...
'How many dead? As many as ever you wish.
Don't count 'em; they're too many.
Who'll buy my nice fresh corpses, two a penny?'
--Siegfried Sassoon
Repression of War Experience
Now light the candles; one; two; there's a moth;
What silly beggars they are to blunder in
And scorch their wings with glory, liquid flame--
No, no, not that,--it's bad to think of war,
When thoughts you've gagged all day come back to scare you;
And it's been proved that soldiers don't go mad
Unless they lose control of ugly thoughts
That drive them out to jabber among the trees.
Now light your pipe; look, what a steady hand.
Draw a deep breath; stop thinking; count fifteen,
And you're as right as rain...
Why won't it rain?...
I wish there'd be a thunder-storm to-night,
With bucketsful of water to sluice the dark,
And make the roses hang their dripping heads.
Books; what a jolly company they are,
Standing so quiet and patient on their shelves,
Dressed in dim brown, and black, and white, and green,
And every kind of colour. Which will you read?
Come on; O do read something; they're so wise.
I tell you all the wisdom of the world
Is waiting for you on those shelves; and yet
You sit and gnaw your nails, and let your pipe out,
And listen to the silence: on the ceiling
There's one big, dizzy moth that bumps and flutters;
And in the breathless air outside the house
The garden waits for something that delays.
There must be crowds of ghosts among the trees,--
Not people killed in battle,--they're in France,--
But horrible shapes in shrouds--old men who died
Slow, natural deaths,--old men with ugly souls,
Who wore their bodies out with nasty sins.
. . . .
You're quiet and peaceful, summering safe at home;
You'd never think there was a bloody war on!...
O yes, you would ... why, you can hear the guns.
Hark! Thud, thud, thud,--quite soft ... they never cease--
Those whispering guns--O Christ, I want to go out
And screech at them to stop--I'm going crazy;
I'm going stark, staring mad because of the guns.
--Siegfried Sassoon
Notes on Rivers' The Repression of War Experience.
Now light the candles; one; two; there's a moth;
What silly beggars they are to blunder in
And scorch their wings with glory, liquid flame--
No, no, not that,--it's bad to think of war,
When thoughts you've gagged all day come back to scare you;
And it's been proved that soldiers don't go mad
Unless they lose control of ugly thoughts
That drive them out to jabber among the trees.
Now light your pipe; look, what a steady hand.
Draw a deep breath; stop thinking; count fifteen,
And you're as right as rain...
Why won't it rain?...
I wish there'd be a thunder-storm to-night,
With bucketsful of water to sluice the dark,
And make the roses hang their dripping heads.
Books; what a jolly company they are,
Standing so quiet and patient on their shelves,
Dressed in dim brown, and black, and white, and green,
And every kind of colour. Which will you read?
Come on; O do read something; they're so wise.
I tell you all the wisdom of the world
Is waiting for you on those shelves; and yet
You sit and gnaw your nails, and let your pipe out,
And listen to the silence: on the ceiling
There's one big, dizzy moth that bumps and flutters;
And in the breathless air outside the house
The garden waits for something that delays.
There must be crowds of ghosts among the trees,--
Not people killed in battle,--they're in France,--
But horrible shapes in shrouds--old men who died
Slow, natural deaths,--old men with ugly souls,
Who wore their bodies out with nasty sins.
. . . .
You're quiet and peaceful, summering safe at home;
You'd never think there was a bloody war on!...
O yes, you would ... why, you can hear the guns.
Hark! Thud, thud, thud,--quite soft ... they never cease--
Those whispering guns--O Christ, I want to go out
And screech at them to stop--I'm going crazy;
I'm going stark, staring mad because of the guns.
--Siegfried Sassoon
Notes on Rivers' The Repression of War Experience.