Mon, May. 5th, 2008, 04:55 pm
Duran, THE DUKE OF SHADOWS

Meredith Duran, The Duke of Shadows: I really, really liked this book, and was irresistibly reminded of Judith Ivory as I read it, particularly in the second half, which was set in London. It wasn't the prose that reminded me, but the setting and tone, and perhaps something of the characterization.

I noted in the author's bio that she's a doctoral student in cultural anthropology, and I think it showed in her portrayal of the 1857 Sepoy War, and how she demonstrates the war's effect on both the Indians and the British colonialists. There's another level of tension going on in the two characters themselves, both between them and society, and between themselves: Emmaline is an artist who chafes at the strictures placed on women, who doesn't fit in England and doesn't fit in staid British Indian society either, and Julian is the mixed-race heir to a dukedom who fits nowhere and is trying to make his own place in the world, formulate his own identity. (Cue "torn between two worlds!" blurb.) I really loved the evolution of their relationship, and especially the way Emmaline has to struggle to see the Indian point of view. I loved that the war tore them apart, leaving them both devastated and angry, and that it took time for them to reestablish their relationship. I loved that both of them had terrible, terrible angst and the best remedy for it was each other. I loved that Julian was a good guy, who never tried to trick or take advantage of Emmaline, and that Emmaline felt what she felt and was whom she was. I also liked that Emmaline's cousin, in the second half, was a real confidant and friend to her, a nuanced character, not just the usual "flighty chaperone" type.

Things I didn't like as much: yet another Evil Plot related to Evil Person Who Is Easy To Identify. Related to that, I would have liked to see a bit more prejudice directed at Julian--a lot of what we see comes from Evil Person, which doesn't seem realistic to me. It's true that being heir to a dukedom would counterbalance, but I still imagined a lot more casual racism from other peers and talking about the issue in oblique ways, which would lead to more juicy plot tension. Ironically, there's more of the British characters taking issue with him being part Indian in the first half, which takes place in India, than when Julian's in London. To me, that made the first half more uniquely interesting than the second, which had a more standard plot wrapping the tension-filled reunion of Julian with Emmaline.

I haven't enjoyed a new author this much in a while. I would buy another Duran book in a heartbeat. I hope she writes more!

Mon, May. 5th, 2008 09:01 pm (UTC)
[info]rachelmanija

The 1857 Rebellion! Is the Rani of Jhansi in it?

Tue, May. 6th, 2008 12:32 pm (UTC)
[info]oracne

Not that I noticed, but they do go to Sapnagar.

Mon, May. 5th, 2008 10:00 pm (UTC)
[info]daedala

want!

Thanks for bringing this to my notice. One of the eternally unwritten stories is set in India.

Thu, May. 15th, 2008 02:53 pm (UTC)
[info]daedala

Ok, so I bought it and read it and liked it a lot. As you say, flawed in some of the ways almost all romances are (why are romance villains SO BAD? why are romance suspense plots SO BAD?), and I'm not sure her art would have been so acclaimed, but really good in other ways. The "big misunderstanding" sort of thing actually worked for me.

Thu, May. 15th, 2008 03:52 pm (UTC)
[info]oracne

I think the Big Misunderstanding worked a lot better because THERE WAS ACTUAL TRAUMA for both of them. It wasn't just, "I saw him look at another woman's gown hem and now I know he has a mistress!"

I think there would've been a lot of shock at her art, but I was willing to swallow that for Romance World (though I kept waiting for backlash).

Yay, glad you liked it!

Tue, May. 6th, 2008 12:33 am (UTC)
[info]the_red_shoes

....hell, I may see if Half Price has this TODAY. I need a treat.

Tue, May. 6th, 2008 12:31 pm (UTC)
[info]oracne

I'd be interested to see others review this. It was flawed, but almost all romances are, and I totally enjoyed it.

Tue, May. 6th, 2008 02:37 pm (UTC)
[info]oursin

I find it quite plausible that mixed-race identity (at the period in question) would probably have been more of an issue in India than in London.

Tue, May. 6th, 2008 03:49 pm (UTC)
[info]oracne

Because the issue of race was more of a constant in India? That makes sense to me.

Tue, May. 6th, 2008 04:11 pm (UTC)
[info]oursin

And in India everyone would be much more sensitive to the various distinctions - whereas in London, unless there were other markers, just having been in India might account for darker complexion, and indeed various social habits. See descriptions of Old India Hands in novels of the day, with their sometimes exotic dress and furniture, taste for curries (and often a 'native servant' to prepare same), and general markings of a certain 'otherness'.

Tue, May. 6th, 2008 05:20 pm (UTC)
[info]oracne

That makes even more sense. Thanks!

Wed, May. 7th, 2008 10:06 am (UTC)
[info]oursin

Also, according to Dalrymple in The White Mughals, it had been a fairly common practice for fathers of mixed-race offspring to send the more European-looking ones back to the UK to be brought up by other family members (much as happened with European children born in India) and presumably pretty much assimilated.

Wed, May. 7th, 2008 12:25 pm (UTC)
[info]oracne

And that's what happened in the book, though not as promptly.